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"Like the characters in Ballard’s fictions, P. is jury-rigging a private cosmology in much the same way that he fashioned his ad-hoc shelter, in “Mark the Points of No Return,” from discarded artworks. In that sense, he’s Claude Lévi-Strauss’s bricoleur updated for the age of Twitter mobs, drone wars, and reality-TV politics, tinkering together a system of myths, symbols, and rituals from whatever’s at hand: The media landscape. The built environment. The flood tide of images inundating the mass unconscious. Technology, which increasingly remakes us in its own image and, more and more, has a mind of its own. Free-floating anxieties and conspiracy theories. The persuasion industries—P.R., marketing, branding, advertising. The psychopathology of everyday life in a world spun off its axis by info-vertigo."

Mark Dery.
Excerpt from A Crash Course in Disaster Survival. (A Critical Fiction About Paul Segers)
Published in The Scene Changes 

NOW SHOWING:
A new series of 'Future Artifacts' for the exhibition: CALL TO ACTION  June 29th - September 8th 2019, Museum Helmond, locatie Kunsthal. Artists: Rammellzee (USA), Dondi White (USA), Charlie Ahearn (USA), Dave de Leeuw, Jonas Van der Haegen (B), Ulla-Stina Wikander (S), Rob Hornstra, Cristine de Middel (E), Laurent Fiévet (F), Gijs Frieling, Yinka Shonibare CBE (GB), Yael Bartana (IL) en Paul Segers. Photo: Peter Cox.

RECENT: Apprentice Master expo #2: The I in formation Paul Segers, Jacco Borggreve, Jannes Bürkner, Tina Jeranko and Paul Nieboer. Kunstpodium T Tilburg.
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RECENT: Mastertalk Paul Segers at Museum de Pont. 

​RECENT: Lecture 'The Scene Changes' at Hunan University, Changsha, China.

Left below: New work in progress for a project in China this fall.. 
Photo: Charlotte Bol.