RECENT: The Last Re-enactment.
The last performance of the BULLET HEAD trilogy was performed at the Cacaofabriek in Helmond on November 12th at 15:00 Hrs.
"Like the characters in Ballard’s fictions, P. is jury-rigging a private cosmology in much the same way that he fashioned his ad-hoc shelter, in “Mark the Points of No Return,” from discarded artworks. In that sense, he’s Claude Lévi-Strauss’s bricoleur updated for the age of Twitter mobs, drone wars, and reality-TV politics, tinkering together a system of myths, symbols, and rituals from whatever’s at hand: The media landscape. The built environment. The flood tide of images inundating the mass unconscious. Technology, which increasingly remakes us in its own image and, more and more, has a mind of its own. Free-floating anxieties and conspiracy theories. The persuasion industries—P.R., marketing, branding, advertising. The psychopathology of everyday life in a world spun off its axis by info-vertigo."
Excerpt from A Crash Course in Disaster Survival. (A Critical Fiction About Paul Segers)
Published in The Scene Changes
I'm currently receiving grants from the Mondriaan Fund & the BKKC Impulsgelden.
RECENT: Solo exhibition 'Business as Usual' at TAC, Eindhoven.
RECENT: BULLET HEAD & THE EXIT GOONS, Performance. Photo: Peter Cox